Ocean’s Kingdom - Paul McCartney

Jump In, The Water Is Great

This piece is being shown to you because it is totally different than basically anything you’ve heard from Paul. I am no expert in classical music, but I do love it and listen to it and a lot of suites, Planets by Holst and the Firebird Suite are some of my favorites. Paul does a great job throwing the audience into a deep and strong piece that culminates various instruments and uses their specific strength for certain parts. The strings are the foundation, they draw the listener deeper and deeper into the song, being eerie and yet almost soothing instantaneously. The flutes bring a strong amount of personality to breath more life into each moment. The brass sections and percussion are booming and epic, they give the song that punch in the middle. This is the first song of the entire movement, and I’d recommend going on and listening to the other pieces, even if it purely because of the novelty of Paul making a suite and nothing else. This isn’t his first, and probably won’t be his last. It is beautiful, but not groundbreaking or revolutionary. If you’re not into classical music, then you need to be, at least for a couple songs and just give it a go and try to find what you do like. It is called classical for a reason, because this style is the inception of modern created music. Hope you liked Paul week! Let me know what other artists I should review in the future!

Originality: 7.5

Instruments: 8.6

Vocals: ---

Longevity: 6.7

Red Score: 7.6

Band On The Run - Paul McCartney and WIngs

New Band, New Run

After the Beatles disbanded, Paul went on with his solo career (as did the other Beatles) and also created the band Wings. His songs in Wings are almost as memorable as the Beatles music and sound very much like them (for obvious reasons). Coming out on their third album, Band On the Run is a great example that Paul is a fantastic artist even without his original band of brothers. Band On The Run starts outs softly and very mellow/psychedelic. The second section is shorter and acts a beautiful bridge filled with a number of different instruments and then transfers into the last part. The third section picks up pace and focus a lot more on the vocals and acoustic guitar. It is a beautiful piece, well separated and a lot of fun. The beginning effects on the electric guitar are hypnotic and the bass in the last part moves around a surprising amount, it's hard to hear without intense speaker or wrap around headphones that can boost up the bass, so if you want to hear Paul on his bass, you'll have to work for it. Band On The Run was (in my opinion) Paul’s demonstration that he still had it in him after the Beatles (album and the song). His first two albums didn’t have that much of an impact, but it happens with artists that leave a group and go their own way, Gwen Stefani, Justin Timberlake and Sting to name a few. These solo artists find right after they are on their own that they aren't mega famous, but find their way to stardom soon after. I hope the nostalgia is great and you love the song as much as I do! Come back for tomorrows most interesting piece that Paul has done in a lot time.

Originality: 8.6

Instruments: 9.2

Vocals: 8.5

Longevity: 8

Red Score: 8.5

Live or Let Die - Paul McCartney

007's Favorite British Singer

One of the most legendary songwriters of all time, Paul McCartney, is coming out with an enormous, 4-disc compilation album called Pure McCartney later this week. Paul has been writing music for many many years and this week I’m gonna look at his music, why it’s amazing and listen in awe his versatility and creativity over the last 40 years. To be specific, it will be music that is primarily performed and written by him in his personal career and or with the Wings. I’m going to skip anything Beatles related, because I’m bound to have a week about them later. Now onto the song! Live or Let Die was written as a James Bond song for the movie also titled Live or Let Die. The song is fast paced and has that strong orchestral edge that most Bond songs do, but the song is split up into call and response sections with very McCartney sounding parts. When listening to the song, the difference in the parts are blatantly obvious and almost little jarring, but refreshing for sure, especially for Bond music. I am pleasantly surprised at how well Paul was able to integrate his signature style into the Bond format of heroic, spy music. This is one of the best examples of McCartney’s abilities in composing full arrangements of powerful music, that he is not just limited to just rock anthems. Come back tomorrow to see one of Paul’s newest song that was made for one of the most popular video games of last year, Destiny.

Originality: 8.5

Instruments: 8.7

Vocals: 8.5

Longevity: 9.3

Red Score: 8.7